BAFTA’s 2017 – A monochrome slide show

Last Sunday (the 12th) was my annual trip to photograph the stars arriving for the British Academy Film Awards which, this year, took place at The Royal Albert Hall. As usual I was shooting on on Fujifilm X-Series, mostly the X-T1 and 50-140 with some on the 56mm mounted on a second X-t1. The wide images are using the 14mm mounted on an X-Pro1.

One interesting fact is that despite shooting over 1700 images on the 2 X-T1’s, I only changed the battery once in each camera (and the 50-140 body shot way more than the 56 body). In very cold weather, thats not too bad

Normally I would post a series of images here but I think its just easier to pass you over to my main side and a slideshow.

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Back on the Red Carpet

Last night I was back on the red carpet for the Fifty Shades Darker UK Premiere at ODEON Leicester Square.

Julie Edwards Photography: Fifty Shades Darker UK Premiere at ODEON Leicester Square on 09/02/2017 &emdash; Jamie Dornan

All shot with Fuji X-T1 mostly with the 50-140/2.8 but the wides were with the 16-55/2.8

 

Here is a  small showcase  of images:  http://www.julieedwardsphotography.co.uk/fiftyshadesdarkeruk

X100

Fuji  have brought out a new version of the first Fuji camera I brought – the X100F. The Mk1 was the camera that started me on this journey from big DSLR’s to mirrorless  and so I’m torn.

This morning I went for a wander, and reminded myself how much I just love this little camera, going back to basics just like shooting with a ‘trip or such like as I did as a teenager.

 

I’m not sure if I can build  business case for the new little un or not….

 

 

NIK collection away for free

I know a few have asked about my processing of monochromes…

Well today Google have announced they are giving the NIK collection away for free and that includes my beloved Silver Efex Pro…

Today we’re making the Nik Collection available to everyone, for free.

Photo enthusiasts all over the world use the Nik Collection to get the best out of their images every day. As we continue to focus our long-term investments in building incredible photo editing tools for mobile, including Google Photos and Snapseed, we’ve decided to make the Nik Collection desktop suite available for free, so that now anyone can use it.

The Nik Collection is comprised of seven desktop plug-ins that provide a powerful range of photo editing capabilities — from filter applications that improve color correction, to retouching and creative effects, to image sharpening that brings out all the hidden details, to the ability to make adjustments to the color and tonality of images.

Starting March 24, 2016, the latest Nik Collection will be freely available to download: Analog Efex Pro, Color Efex Pro, Silver Efex Pro, Viveza, HDR Efex Pro, Sharpener Pro and Dfine. If you purchased the Nik Collection in 2016, you will receive a full refund, which we’ll automatically issue back to you in the coming days.

We’re excited to bring the powerful photo editing tools once only used by professionals to even more people now.

https://www.google.com/nikcollection/

Working: Gig Photography

I’m still working on the White Balance post; so much I want to cover in it, I will probably have to split it into two.

To keep the blog rolling though, here is a quick look at my work last night. I was at the Brighton Dome to cover City and Colour with Lucy Rose as the support.

Browsing around the inter-web as we do I come across lots of discussions about “Can’t use this camera for so-and-so”, “thats the wrong lens for that”, quite often with no follow up argument (yes trolls). Quite often the discussions are about using Fujis in low light or in Gig situations.

Last night I started with the 16-55/2.8 & 50-140/2.8 “Red Label” lenses getting the basic shots, for the 3rd song I switched to the 56/1.2 basically because I had not used it in a darkish gig and wanted to see what I could get…

Lucy Rose plays Brighton Dome on 18/02/2016. Picture by Julie Edwards.  X-T1, ISO800, 1/180th @ F1.2, Astia Simulation

Lucy Rose plays Brighton Dome on 18/02/2016. Picture by Julie Edwards.
X-T1, ISO800, 1/180th @ F1.2, Astia Simulation

X-T1: Firmware 4.3 Update

Amidst the fuss over the launch of the X-Pro2, the latest firmware update to the X-T1 has come and gone almost unnoticed.

Yes, this was just a re-issued of the ill-fated 4.20 release (which had a slight bug in it) but try to find a review or thoughts on release 4.20 or 4.30 and you will struggle.

There are a few tweaks to the MF/AF workings in this release (which to be honest, I have not got my head around) but there are also 2 major updates that will really help me.

  • The flash now works in the continuous drive modes. I.e. I can use my flash at 3 and 8 frames per second. That is a huge thing in press work (just picture all the news clips featuring press photographers working, you will understand). I can now remove this item from my wishlist.
  • The record/video button on the top face can now be assigned a function. Ok, I know there are lots that can be assigned already and, if I don’t have it on a button then I can put it in the Q menu. I change the white balance (WB) a lot, preferably shooting a custom white balance (yes, this is still a planned post) and the white balance option in the Q menu does not offer the option to shot a new WB; only the option to select existing. However setting the “Video Button”, now known as FN7, to WB displays a small menu and allows me to shoot a new custom WB. Not having to dig in the main menu for this is a another step forward (and to be honest, a little similar to the way my old Nikons worked).

My Fn buttons are now set as follows:

FN Button Settings

FN Button Settings: Film Simulation. Direct Focus Point Control and WB.

With small steps we can travel a great distance and this new firmware is another small step. Not updated your camera yet? Head over to the X-T1 firmware page to download the latest.

I’ll sign off with an image from last night’s job..

Cally Jane Beech arrives on the pink carpet for the European Premiere of “How To Be Single”. Shot with a custom white balance 😉

Thoughts on the XF 1.4X TC WR teleconverter

This week I have borrowed the XF 1.4X TC WR teleconverter for use with the 50-140 Zoom. (It also works with the newly announced 100-400 ).

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I needed to find out how the lens with converter would work in “not ideal conditions” so I took an X-T1 with the lens and converter mounted out early on a dark stormy morning before the sun had fully risen. There are plenty of technical reviews, in perfect conditions, with nice blue skies, I need to know how it performs in the poor light and conditions I am likely to get. If it functions in these, it will function on a nice bright summers day.

So, these test images are all straight from the camera shot at either 6400 or 3200 iso, slow shutter speeds and mostly slightly underexposed. Not a case of getting pretty images but a case of “what can I get away with”. All the images are taken at “Full Zoom” i.e. 140mm (200mm).

Starting with our local pier.

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50-140 Native at 140mm

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50-140 with Converter at 140mm

This shows the difference in the reach of the lens with the converter against the lens alone.

At 1:1 these images look like:

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Native. 3200iso, 1/300, F2.8(F4)

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With 1.4x. 3200iso, 1/170, F2.8(F4)

Firstly it’s obvious (or should be) that as with all teleconverters there is light loss, in this case approximately 1 stop (shown here by the variation in shutter speed).
Secondly in these conditions there is no real difference in image quality. Great.
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Native. 6400iso, 1/350, F2.8(F4)

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With 1.4x. 6400iso, 1/180, F2.8(F4)

Remember – straight off of camera JPG, only cropped here.

Testing the optical image stabilisation:

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With 1.4x. 6400iso, 1/58, F2.8(F4)

So yes! Thats 1/60th with an equivalent focal length of 300mm, The OIS seems to work fine! I was also testing the focusing at this point and the tracking did track the cyclist ok (ok, not that fast but I don’t do sport).

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With 1.4x. 6400iso, 1/150, F2.8(F4)

I could also track this flying bird ok although acquiring the subject was a little harder/slower so I would say the focusing is defiantly affected (it would be due to the light loss) but the effect is acceptable for my work. If you shoot sports I would check for yourself.

 

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(Shop Window) With 1.4x. 6400iso, 1/120, F2.8(F4)

 

But that is not everything. There are issues:

Firstly, mounting the converter: The convertor is shaped it slides up within the barrel of the 50-140. I am sure this enables the high image quality to be delivered but it did mean I felt I needed to be far more careful mounting the converter on the lens. My routine was:

  • Lens off of camera
  • Converter onto lens
  • Finally mounting the combination back on the camera body.

Far slower than a face-to-face mounting and meaning that the body is open with an exposed sensor for a longer time than I would like.

Secondly, reported focal lengths and aperture values: When using a converter on my Nikons. The camera (and EXIF data) would report the resultant aperture (i.e. F4 opposed to F2.8) and focal length (i.e. 200 opposed to 140). The X-T1 was not doing this (tested in Firmware 4.0 and 4.20), the EXIF information reported was for the lens alone. This is addressed by ensuring that not only the camera body is running the latest firmware but also the lens. It turns out that during my testing, my lens was not running the latest. I am assured the correct data is reported when all is updated.

So to sum up:

I am fairly sure the performance under conditions I would use it are fairly acceptable with slight degradation in focus performance and an imperceptible difference in image quality. I suppose one big question is “How does the performance compare with the 55-200”. My gut feeling is it out performs it but without measurable back-to-back testing thats difficult to say.

The big lesson of the day is:

Always ensure that both the lens and the body are updated to be running the very latest firmware as there may be issues that are not apparent whist using the kit that may affect the data further down the line.