As mentioned in my last post, I spent the weekend at WOMAD where it tipped down for one day, was sunny the next and finished with more rain on the third. I was covering it with my Fuji kit plus a borrowed 50-140/2.8 and in these conditions they got a thorough workout!
First up, apologies for mixing monochrome and colour images in the same post – it’s something I hate but they do all demonstrate points.
The thing about festivals is they really do feature a very wide range of photography; from covering artists on stage, to posed portraits out and about along with unposed “atmosphere” portraits and general views. Add to this mix the weather and the weekend was a real test: for both the kit and myself!
One of the great things about switching to the Fuji system is I can totally fit my “out and about” kit on my Think tank belt. I use 2 “Skin Body Bags” filled with an 2 X-T1’s with the 56mm on one and the 55-200 on the other. Additionally I carry the 35mm in the pouch and the 14mm attached to a x-1Pro. For the weekend I replaced the 55-200 with the 50-140. Unzipping the pouches to their full length enables the camera and lens to sit inside perfectly with the hood fitted, ready to shoot but with the flap closed and fully sheltered from the heavy rain.
Rain is always worrying, we (press photographers) have no choice of the weather conditions we work in, we can’t wait for perfect conditions (& in many cases – the conditions are an important part of the story). Like many others I have had cameras get too wet, refuse to work, flash systems blow up, buttons and dials refuse to work so it’s always a worry when the conditions are as they were.
I’m pleased to say, the cameras did not miss a beat. Seriously, not a hitch. I was obviously careful, as I would be with any kit, making sure they were covered as much as possible, leathered down as much as possible when under cover but when out in the rain, they got wet, they got very wet but carried on working, focusing and enabling me to get shots such as this. I can’t say I like working in the rain but it can produce wonderfully atmospheric images.
Saturday was the opposite, lovely sun and clouds. The morning consisted of the usual walking around, capturing the atmosphere before heading to the stages in the early afternoon.
Ester Rada was very photogenic but did not venture too far from the mic stand. Having the job in the bag in the 1st song (on the long) I thought I would break out the 56 and see if F1.2 would isolate her from the mic stand. With my cameras permanently set to MS+ES mode, opening the lens wide just means they switch to the electronic shutter and use what can only be described as daft shutter speeds. The fact is that the distance produced too great a depth of field even at F1.2 but the mic is (just) out of focus and she is sharp! A side effect is that the ES produced an effect on the electronic backdrop, one that I quite like and which adds to the picture I think.
As the evening arrived the light was fantastic and just screamed “atmosphere” so a colleague and I headed out to chase the light.
I wanted to isolate this boy climbing in the trees. It was tricky and the AF system could just not get a lock on his face. I switched to manual and as I twisted the focus the EVF automatically zoomed in (I did not know I had that set up – I just thought it would focus-peek) that with the peeking enabled me to isolate him very quickly.
Picking other images from this walk-around is just so difficult. The light was glorious and we both had a whale of a time picking the locations and shots, shooting into and across the sun… A couple of my favs (one mono, one colour).
Sunday and it was back to the rain!
I’ve not really mentioned the 50-140. Basically it was faultless. The first thing I did was remove the tripod mount and I have to say it was still a bit front heavy on an X-T1, something I think will be countered by adding the battery grip to the body. The zoom ring is really smooth and overall it just worked (which is all you can wish for), the AF was fast and as you can see above, the image quality is great with lovely rendering of out of focus areas.
With the monks I wanted to capture their stillness whist adding the movement of the drums. Shooting from the side I engaged the OS and dropped the shutter to 1/30th. The monks are perfectly sharp whilst the drums are blurred. Exactly what I wanted and I’m very impressed with the OS.
Overall, I was vey happy with the performance of the cameras and especially the 50-140. As always happens, I did get one or two comments from other photographers about the fact that I have switched to using only these cameras but when they saw the results… well, the results speak for themselves.